Homepage
AboutInstagramE-mail

Illustration & Design  

06.2026Death by 269 cuts!Poster design
02.2026
ONHA - onhapaslamêmevie vol.1Visual direction & design

06.2025Goldsmiths GDA Degree show designGraphic & editorial design
04.2025BringueIllustration
03.2025Chemist Gallery - exhibition catalogueEditorial design
02.2025Le Rat, Frère des lisièresIllustration

06.2024Le Fou du village de SalmaritinEditorial design & narration
04.2024
ONHA - OpaleArtistic direction

12.2023Conversation Matters - Le village sans fousEditorial design & illustration
06.2023Roscosmic propagandaGraphic design & illustration
06.2023 Le départ de papaBook design, illustration & narration
12.2022Virginia’s HousesBook design, illustration & narration
11.2022Marni Theater identityVisual identity
09.2022“Les Belles Lettres” publicationIllustration


Art practice  

07.2026Digging an oasisInstallation
05.2026Material Damage - nostalgiaExhibition installation
02.2026Interventional catalogue Installation
12.2025eye against eyeArtist book
11.2025WorksInstallation, screenprinting, painting & ceramics
07.2025Goldsmiths postgraduate Degree ShowPainting, print, installation & moving image
03.2025‘Thresholds’ at Chemist Gallery Painting, print & installation
12.2024
Workers leaving the factoryPainting & installation

06.2024SalmaritinInstallation
06.2024Drawings of SalmaritinIllustration, drawing & painting


Drawings  

2025Sketchbook 10x15cm
2024Sketchbook 14,8 x 21cm
2023Sketchbook 10 x 15cm
2023Sketchbook 21 x 29,7cm


© William Denis
Art practice

Digging an oasis

Metal structures based on old farming tools, motor, 58 plastic balls, extracted text transfers from ‘cinetracts’, orange naylon, RAF eyes transferred onto glass sheet, clay bricks & tiles, screenprinted archives of the years of lead, acrylic, wood boards & structures.

Installation presented at the Goldsmiths MFA Interim Show










Material Damage - Nostalgia

Metal sculptures, glazed and screenpprinted clay bricks, monoprints, CD player with speakers, orange naylon, transfer print on glass and vinyl.

Presented at the exhibition ‘When lights break the dark’ at the Bomb Factory Art Foundation in Holborn, London.








‘Interventional Catalogue’ installation presented for Goldsmiths Studio Sessions.










Eye against eye, 2x 96 pages, printed and hand binded in Deptford, London. 

Collected by the Artist’s Book Collection of the Rikhardinkatu Library, Helsinki, and Library Mothership, London. Presented at Offprint London 2026 and the Helsinki analog festival.








Works - November 2025

Installation, wood panels, screenprinting on glassine, transfer print, acrylic paint, bricks & ceramics tiles.








Graduate Diploma in Arts - Degree Show 2025, Goldsmiths










Corpogeography - painting series
Charcoal, acrylic and spraypaint on canvas, 90x120cm













Works presented at the ‘Threshold’ exhibition at Chemist gallery - photos by Satrxx





Artwork details






Workers leaving the factory



Acrylic and charcoal on canvas, ink on acrylic sheet mounted onto metal frames.




Artwork details






The village of Salmaritin


This installation is the final act of the project of “Salmaritin” made during three months at “La S Grand Atelier”, an Art Brut Contemporary center located in the Belgian Ardennes. We collectively created a fictive village where every artist would have a specific role, a place where to live and work, and I would be the village fool, since I had to adapt to the rules and norms of the atelier to meet the people there.
Once all was set and everybody had drawn their own house, we built out of cardboard a maquette of Salmaritin and made it a whole playground to create anything around it.

On the back right of the maquette, there’s a mountain atop of which is a fictive version of a psychiatric hospital close to the atelier, standing there to remind the village of the institution it lives in. From its point of view, every house in the village turns its back from it.

160 x 160 x 90 cm


Some of the houses of Salmaritin, made by the artists for themselves.

Courtesy La "S" Grand Atelier
Lauréat des Amis de La Cambre 2024






Drawings of Salmaritin


A selection of the artworks made during three months at La S Grand Atelier, an Art Brut Contemporary center located in the Belgian Ardennes. These were made as part of the project of the fictive village Salmaritin, to enlarge the small universe we were building together. They were also vectors for human encounters, and creating links in other ways than through vocal dialogues.



Courtesy La "S" Grand Atelier
Lauréat des Amis de La Cambre 2024